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Barnes Wallis’s work covers far more than just basketwork bombers and bouncing bombs. So how did his engineering genius take ideas from airships and push them forward to aircraft faster than Concorde? Barnes Wallis is best known as the’ boffin’ behind the famous bouncing bomb used by 617 Squadron to breach the Ruhr dams in 1943, but his work covers a far wider canvas. It ranges from airships, through novel aircraft structures and special weapons to long-range supersonic aircraft, and an extensive patent portfolio. This book describes the huge breadth of Wallis’s work. It shows why his genius brought totally new ideas into these fields, and reveals the science and engineering expertise that he deployed to make them work.

• Sales Rank: #3851756 in Books
• Brand: Brand: Haynes Publishing
• Published on: 2010-01-15
• Original language: English
• Number of items: 1
• Dimensions: 10.64" h x .66" w x 8.27" l, 1.57 pounds
• Binding: Hardcover
• 288 pages

Features

• Used Book in Good Condition

About the Author
Dr Iain Murray is a lecturer in the School of Computing at the University of Dundee. Iain recently acted as a consultant for the ITV drama series Foyle’s War, which featured an episode set around a group working on the ‘bouncing bomb’. He lives in Dundee.

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5 of 5 people found the following review helpful.
the last of a breed
By Alexander T. Gafford
The book is subtitled The Science of Sir Barnes Wallis. I find that subtitle a little misleading as it should more accurately be The Engineering of Sir Barnes Wallis. In any case the focus is on the trajectory of Wallis' engineering work from his first days in airship design to his last ideas for supersonic transport. The large format of the book has allowed a high level of illustration with many contemporary photographs and drawings as well as some modern CAD renderings of concepts that never reached realization. The organization of the book is straightforwardly chronological with a biographical introduction and a final summary and appreciation of Wallis' work. Iain Murray has done a lot of research into various archives and the footnotes are relatively extensive. A number of appendices are attached and the extensive log of spun bomb tests illustrate just how intensive this work was. The coverage is relatively well balanced with four of the chapters devoted to the WW2 work on bombs,one each for the prewar work on airships and geodetic aircraft, and three on his postwar ideas for highspeed and other types of aircraft.
I though the writing was clear and direct and the judgements made on Wallis' work were thoughful and fair, laying great emphasis on the true originality of this work though not losing sight of practical problematic issues. The level of presentation is wholly descriptive with no mathematical content but technical matters are well explained.
So what impression does this well crafted book leave me with? I think Barnes Wallis was the last in the long line of Victorian mechanical engineers. In confronting problems of air transport or delivery of explosives from the air, Wallis seemed to always apply mechanical solutions, often unique and unprecedented. His mathematical skills were considered high by his peers but he seemed to have used mathematics to confirm his solutions, not develop them. I am not sure his aerodynamic intuition was as good as his mechanical creativity but that may be a poor judgement on my part.
In any case, this book certainly give us enough material to think about these questions and I recommend it to those with an interest in this area.

2 of 2 people found the following review helpful.
An under-appreciated man
By Floyd T
Sir Barnes' work (the Wellington bomber, and the Bouncing, Tallboy, Grandslam bombs) had a major effects during World War II. The Wellington was quick to build, tough and effective. The Bouncing bomb and the attack on the dams had a major impact on Nazi Germany's war production. The rush to repair to the Möhne, Sorpe and Eder dams and the damage caused by the flooding, pulled material and workers from all over Nazi-held territories. On D-day, the Atlantic Wall was incomplete due to lack of material and workers. The Nazi's fielded few tanks on for the battle of Kursk due to lack of steel. The Tallboy and Grandslam attacked V1, V2 and V3 sites, preventing their use against British civilians and Allied soldiers. Sir Barnes deserves much more credit than he has been given.

Also read "Dam Dusters, The Race to Smash the Dams" 1943 by James Holland, Holland goes into more detail about the effects of the raid on the Möhne, Sorpe and Eder dams.

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John Alvin's movie poster art is among the most iconic of the last 40 years, from Disney films such as Beauty and the Beast, Mulan and Pinocchio, to Empire of the Sun, Gremlins, Blazing Saddles, Predator, and the Star Wars 30th anniversary posters.

This book not only collects some of Alvin’s finest work, but also includes previously unseen comprehensives and in progress sketches. With the text including commentary from Alvin’s widow, this is a unique insight into the work of one of the 20th century’s great artist/illustrators.

• Sales Rank: #350906 in Books
• Published on: 2014-08-26
• Released on: 2014-08-26
• Original language: English
• Number of items: 1
• Dimensions: 12.70" h x .76" w x 9.27" l, .0 pounds
• Binding: Hardcover
• 160 pages

Review
“Outstanding.” - Cinema Sentries 

"A must for movie buffs, now available from Titan at vendors everywhere." - The Aisle Seat

"Andrea Alvin has assembled an incredible homage to her late husband in The Art of John Alvin." - Beyond the Marquee

"This is a beautifully-illustrated book and if you’re a fan of movie posters from the 1970s on, it is a must-have." - Trek Today

"Exceptional attention to detail beautifully showcased on every page." - Another Castle

"A beautiful collection of work." - Illustrator’s Lounge

"The extra sketches and stories behind the images add a new level of interest and appreciation to the work" - Geek Dad 

“The Art of John Alvin is a wonderfully produced, filled with amazing painting and drawn artwork and easily digestible commentary on the process of poster making and promoting films. It is a great art book and would be an excellent addition to any collector’s shelf.” - Sound on Sight

"A great addition to the trilogy while managing to keep the story fresh and entertaining for avid fans of the television show." - BGG

"Fans of art, graphic design, filmmaking or just movies in general, will all love this book and come away with a new and exciting appreciation for John Alvin’s resume of work." - The Global Dispatch

"A good addition for the library of fans of popular films and poster art." -  Borg.com

"This is a must buy for art and film lovers alike. John Alvin is one of the most gifted artists of our generation and this book is a loving tribute to his memory." - Pop Cults

"Thanks to The Art of John Alvin book, John’s brilliant work will live on even though he passed in 2008. When you see all of the movies he’s worked on you’ll realize he didn’t need an art book to make his work legendary, but this collection definitely honors Alvin’s most memorable pieces perfectly." - Entertainment Buddha

"The color illustrations throughout are beautiful on glossy pages with exceptional quality." - Geek Twins

"As a Generation Y’er with a penchant for film and particularly that of sci-fi, this is a book that will remain in my collection for years to come. For all that Alvin had created, this book filled with ‘Alvinesque’ sketches and concept work is as important today as each piece was in their era. Deserving as the praise is for him, it’s a shame he missed this book’s release. Hopefully, this will only continue his legacy a long time to come." - Another Castle

"The Art of John Alvin is a great addition to a movie- or art-buff’s library, and it helps preserve and honor the work of one of the best poster artists the industry has ever seen. The behind-the-scenes information and concept drawings alone make this one worth picking up." - Film Pulse

"The perfect coffee table book." - Hypable

"Prepare to be blown away by sketches, paintings and even tag lines that you never saw, but could have easily become the art and posters for your favorite movies." - Animation Scoop 

"A must-own for fans of the lost art of the movie poster." - RogerEbert.com

"An incredible book of his work" - Giant Freakin Robot

"Setting the standard, his works have become the world’s most recognizable entertainment industry poster style." - Return to Fleet

"Seriously, if you call yourself a film fan and simply can’t find space on your coffee table for more than one book, make the one you own this fantastic collection." - Midroad Movie Review

"What an impressive art book. Movie fans will learn interesting tidbits about the business and the directors, while art fans can see a master’s craft unfurled. This is a truly epic and great book." - Adventures in Poor Taste

"Artist John Alvin created some of the most iconic film posters in cinematic history." - Indiewire

"If you’re a movie lover or a nostalgic fan of the Disney Renaissance, you gotta check out The Art of John Alvin!" - Rotoscopers

"I would be lying if I said I did not miss seeing posters in the lobby by a master craftsman like John Alvin...If you love films you will want to have this book in your collection." - Retroist

"Fans will want to show off the book to friends thanks to fantastic publication quality." - BGG

"Fascinating." - The Week

"If you have a passion for films and art, then you will definitely want to add “The Art of John Alvin” to your book collection.  So thank you John Alvin for your incredible art and the emotion it brings when we look at these movie posters." - Retrenders

"Kudos to Titan for seeing that Alvin’s work lives long and prospers!" -  Nerdist 

"Any art-collecting movie nerd worth his or her Reese’s Pieces owns at least one John Alvin creation. E.T. the Extra-Terrestrial, Blade Runner, The Gremlins, Jurassic Park—Alvin designed poster art for all of them. By hand. They are among the most enduring images of recent film history." - Wired

"Buy one for yourself and one for all your nearest and dearest loved ones." - AIn’t It Cool 

"You may not know John Alvin's name, but you've admired his work. Along with Drew Struzan, he's one of a few great poster artists who've shaped your love of science fiction and fantasy movies with some indelible images." - io9

"A wonderful celebration of an artist whose influence far exceeded his acclaim." - The Verge 

"The unused Jurassic Park posters and Batman posters are actually pretty fantastic, offering a glimpse at just how differently these films might have been introduced to audiences." - Collider

"The acclaimed artist painted stunning posters for a number of big movies." - Comic Book Movie 

"John Alvin was responsible for creating a number of beautiful painted movie posters across four decades." - Batman News 

"A treasure trove's worth of works in progress the world never got to see." - Movies.com

"I’d highly recommend it to anyone even passingly interested in movie promo art." - Ain’t It Cool News

"There was a reason why The Lion King did the numbers that it did... There was a reason why 'Hunchback [of Notre Dame]' became a big success. It's because of the images that were produced, and a lot of those were John Alvin's paintings." - John Sabel, the executive vice president of creative print advertising at Walt Disney Pictures

About the Author
Andrea Alvin, John's wife of 37 years and studio partner, is a fine artist and designer who worked with John on many of his famous poster campaigns. She gives background stories and insight to the creation of movie ad campaign and John's creative process and technique.

John Alvin was an American movie artist who painted movie poster art for over 130 films, including E.T., Blade Runner, The Lion King, The Princess Bride and Jurassic Park, as well as the Lord of the Rings, Harry Potter and Pirates of the Caribbean film series. He also produced work for Disney Fine Art (Disney character official portraits).

Most helpful customer reviews

9 of 9 people found the following review helpful.
Insightful and inspiring John Alvin retrospective
By Parka
[[VIDEOID:mo2JZ9WM77CHW4J]]When it comes to movie poster illustrations, John Alvin and Drew Struzan are among the best.

The Art of John Alvin is a wonderful retrospective and tribute to the late artist who passed away in 2008.

This 160-page hardcover collects the movie posters he has created from 1974 to 1999 plus a special commissioned piece completed in 2007. The artworks includes the finished posters, preliminary sketches, colour drafts and many unused never seen before art.

The reproduction of the artworks is very well done. Many are printed huge and given the full page treatment they deserve. The completed movie poster illustrations are beautiful, and even the sketches are quite a joy to look at as some of them are really detailed.

John Alvin's foray into illustrating movie posters started in 1974 with Blazing Saddles. Soon after that, he got called up to create many more, such as for Blade Runner, Return of the Jedi. E.T., Willow, Batman, Batman Returns, Jurassic Park, several Disney classics such as Pinocchio, Aladdin, The Little Mermaid, The Lion King and many more other movies.

Each movie he worked on comes with several sketches, finished coloured illustrations and the final actual poster. For Jurassic Park there were more than a dozen rough drawings and colour layouts.

The artworks are all accompanied commentary that includes the story behind the posters, on how he got the job, conceptualising and even the techniques he used to create the illustrations. The behind the scenes stories are all provided by his wife Andrea Alvin who works alongside him in his studio. No wonder the writeup is so informative and detailed.

It's nice to read about the technical stuff, to find out how he worked, for example, to create the glow behind the words for E.T., he cut out a cardboard for the words and sprayed around them. There are bits of technical talk here and there for the posters.

Overall, this is a well produced, insightful and inspiring artbook.

Highly recommended.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

5 of 5 people found the following review helpful.
the best movie artbook ever
By ARTBOOK PASSION
[[VIDEOID:mo2EGC1BL149B75]]++++ FIND ALL MY REVIEWS ON MY SITE ARTBOOK-PASSION.COM - lots of picture, video and review ;) - Link towards my site in my profile. If you think of buying this book or something on amazon, use the amazonlinks of my site, thank you ++++

What is the common point between Blade Runner, King Lion E.T, Jurassik Park, Batman forever and Star Wars the return of Jedi?
It is all movies which marked the cinema, finally not for Batman Forever, which has almost killed Batman.
No, the real common point, it is because we remember posters cinema of all these movies, for a very good reason, they are the work of a real artist: John Alvin.
Regrettably, John left us in 2008, and 6 years later we have an artbook tribute: The art of John Alvin.

I am not longer going to keep waiting you, The art of John Alvin, is an absolutely magnificent artbook, because he does not make that to present us the most known posters that he realized. Indeed he would have been able to be easy to make an artbook which I would call "catalog".

No, here there is a real work, and on a real one loves for the work, that includes it in a sense because this book was realized by his wife. So we learn on the work of conception and research. I adored seeing in front pages the sheets of paper with the researches for posters for the promotional campaign of Jurassik Park.

The book The art of John Alvin, presents us in the course of 160 pages, posters in a chronological way, from 1974 to 2007 to posters Star Wars Célébration 4. What is brilliant with the work of John, it is that we have a multitude of varied movies, so the fan of Disney will be in seventh heaven with posters of King lion, of Aladdin or another fantastic poster of The Little Mermaid. The fan of Star Wars will not be forgotten with posters of movies, but also convention.

My preference goes particularly to pages dedicated to Jurassik Park, who remains a great moment of cinema for the child fan of dinosaurs whom I was in 1995. I could also speak to you his inimitable style, playing on the light, or still the sketches a lot in black and white for the movie E.T or Willow of a very big wealth. I could speak about height of thing, but I prefer to let you look at the video, and tell you that The art of John Alvin is simply essential for every person who adores the cinema.

3 of 3 people found the following review helpful.
Amazing Book, Features Iconic Art by John Alvin
By Susan M. Slopek
My favorite movie posters are the Disney ones from the mid-90s -- the versions used for "adult' marketing. Turns out all of my favorite ones were created by John Alvin.

This book celebrates his work. His career, spanning decades, included work for Disney, MGM, Paramount, Twentieth Century Fox, Universal Studios, and Warner Bros. Inside the pages of The Art of John Alvin, you'll find many examples of the art he created for those studios (and I can't imagine how hard it was to obtain permission to use all of the images!).

This 160 page book includes art from his iconic posters - The Lion King, Blade Runner, and ET, among many others - as well as concept sketches and images previously unavailable for public viewing. The book is broken down by movie in chronological order and includes commentary from his wife Andrea, who offers behind the scenes insights into the creative process.

My favorite images are from the Disney posters, namely Beauty and the Beast, The Lion King, Aladdin, and The Little Mermaid (although all the Disney art is stunning). Alvin's use of light in the posters and concept art is the work of a master. The Jurassic Park section is also notable - it contains amazing images that unfortunately weren't used in the movie's marketing campaign. Fans of Star Wars will also be pleased with the selections in the book. In summary: I really love the artwork and my only complaint is that I want MORE!!

Sadly for us, Alvin passed away in 2008. This book at least gives us a chance to peek behind the scenes and see the evolution of his creations. Some fans may even want two copies... one to keep as a book and one to use for images to hang in their house or at work :-)

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System Requirements: MS Windows XP, Vista, or 7; Mac OS X v. 10.4.11 or higher; 256 MB of RAM; PDF viewing software; 125 MB hard disk space; web browswer

ASHRAE, founded in 1894, is an international organization of some 50,000 persons. ASHRAE fulfills its mission of advancing heating, ventilation, air conditioning, and refrigeration to serve humanity and promote a sustainable world through research, standards writing, publishing, and continuing education.

The ASHRAE Handbooks are the design standard for control of built environments with volumes on Systems and Equipment, HVAC Applications, Refrigeration and Fundamentals. Each is updated every four years. In addition to publishing design guidance for engineers, architects, and facility managers, we also publish a series of texts for classroom use.

Some of the areas we publish in include:
-Energy Modeling and Auditing
-High Performance Building Design
-Psychrometrics
-Indoor Air Quality and Environmental Quality
-Data Center Energy Efficiency
-Noise & Vibration Control
-Humidity Control
-HVAC for Healthcare Facilities

• Sales Rank: #1039572 in Books
• Brand: Brand: ASHRAE
• Published on: 2012-06-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 9.00" w x 1.25" l, 3.05 pounds
• Binding: Hardcover
• 403 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
Book in decent condition
By CK
I use this book for work as a reference so I know what it contains in general. I bought it as somehow I missed being an ASHRAE member when it was issued - members get a "free" copy of the current years handbook.

The book condition was decent with some bent cover areas and minor scratches but nothing major.

1 of 1 people found the following review helpful.
A Must Have
By Purple fuchsia
Great resource for on the job and Mechanical PE exam. ASHRAE publications have the most upto date information, don't leave home without it.

0 of 0 people found the following review helpful.
Five Stars
By G. Liu
Great

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2012 ASHRAE Handbook -- HVAC Systems and Equipment (I-P) - (includes CD in I-P and SI editions) (Ashrae Handbook Heating, Ventilating, and PDF
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An approach to understanding and implementing ERP systems for success in today’s organizations.

Motiwalla teaches readers the components of an ERP system, and the process of implementing ERP systems within a corporation to increase the overall success of the organization. This text also places major importance on the strategic role of ERP systems in providing a platform for improved business operations and productivity.

The second edition reflects the nature of today’s enterprise systems.

• Sales Rank: #463359 in Books
• Brand: Brand: Prentice Hall
• Published on: 2011-07-23
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .80" w x 7.00" l, 1.10 pounds
• Binding: Paperback
• 384 pages

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• Used Book in Good Condition

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2 of 2 people found the following review helpful.
Does not seem like a textbook
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There are lots of graphs which I found complemented the text very well. The whole book is like a history timeline of ERPs so it helped me understand why ERPs are the way they are and why/how they developed and evolved to where they are now.

There are times when I felt that there was not enough detail, as if I was reading about information at too much of a high level, and other times I was glad this was not a technical book. This book would be great for providing basic historical information for those who may not be well versed in all the technical terms of the trade and want to know the affects ERPs have on and within a company.

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Not compatible with windows 8
By derek taylor
Incompatible with windows 8. When I purchased this, I purchased the kindle version. When I tried to view it on my computer, I was informed that it is not available for windows 8. They need to inform people before purchase about availability/compatibility with software versions. I am not able to use the version purchased on my computer for class now.

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Clear, concise information, great choice for the class, and great price from Amazon.
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• Sales Rank: #5825027 in Books
• Published on: 1998-10
• Original language: English
• Binding: Hardcover
• 70 pages

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• Sales Rank: #6918673 in Books
• Published on: 1963
• Format: Import
• Binding: Hardcover
• 621 pages

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In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome - Schopenhauer, Wagner, Socrates, Christ - and predicts the cataclysmic impact of his 'forthcoming revelation of all values'. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche's main beliefs and is in every way his last testament.

• Sales Rank: #323602 in Books
• Published on: 1992-12-01
• Released on: 1992-12-01
• Original language: German
• Number of items: 1
• Dimensions: 7.80" h x .40" w x 5.10" l, .24 pounds
• Binding: Paperback
• 144 pages

Review
Libro desconcertante y enigmatico, escrito en circunstancias dramaticas --Los editores

Language Notes
Text: English, German (translation)

About the Author
Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. He died in 1900. R.J. Hollingdale translated 11 of Nietzsche's books and published 2 books about him.

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20 of 23 people found the following review helpful.
Portrait Of An Ubermensch
By A Customer
In Ecce Homo, Nietzsche, clocked in the overt convention of the critical autobiography, lashes out at the practice of divorcing art from action. He takes aim at the reification of the linguistic world, which he believes has grown at the expense of the pre-linguistic world and his quarrel is with those who use words to mediate their experiences in the world in order to deny their own heroic capabilities.
"Saying 'Yes' to life," says Nietzsche, "is its strangest and hardest problem; the will to life rejoicing over its inexhaustibility even in the sacrifice of its highest types--that is what I call Dionysian, that is what I understood as the bridge to the psychology of the tragic poet." This Dionysian status, he goes on to say, is not gained through "thumbing through books," but by suffering through experience and rejoicing in the vitality of living.
Nietzsche also writes, "In questions of decadence I am experienced." In this he intimates his own experience of life denial through words and his imagery compares intellectual endeavors with physical conditions, e.g. digestion.
"The German spirit," he says, "is an indigestion: it does not finish with anything." Nietzsche uses the human stomach as a metaphor of the reification of the linguistic world. The stomach digests food by breaking it down into its component parts, readily recognizable to physiology but having little to do with the original product.
An orange, after all is not just vitamin C. Furthermore, says Nietzsche, what the body cannot use is rejected as waste product. When disorders of the stomach occur, the body cannot distinguish between waste and nutrient and consequently it churns endlessly, causing distress to the entire organism. Nietzsche, himself, is not embarrassed by his experience of decadence but sees it as something which has given him a special sensitivity to the "signs of ascent and decline."
For Nietzsche, the world is a chaotic place, given order only by the imposition of human will. Humans, in this way, says Nietzsche, create something out of nothing. However, in the face of the "abyss," man creates and acts as if his creation is real, in such a manner as to allow himself the vital and joyous activity of affirming the very importance of his creation. The heroic figure then moves on towards greater acts of creation using each personal, willful creation as a stepping stone, not towards an ultimate goal, but towards other projects. Nietzsche tells us to beware of the organizing "idea" which "...leads back from side roads and wrong roads...as a means towards a whole." The endless road of "becoming" is traveled by a will which is excited and invigorated by its trip, enjoying its stops along the way, but which ultimately has no other purpose but to go further and further as the journey becomes more and more exhausting.
For Nietzsche, the battle is always emphasized over the goal. It is a simple matter, he tells us, to conquer that which is already beneath you. To move beyond that which is your equal is the real test of the will. This is the essential process of "overcoming" which leads one higher and higher, eventually reaching the experience of the "tragic." As the linguistic world becomes more and more complex, its position in relation to nothingness becomes more and more precarious. This situation threatens a fall of apocalyptic proportions, for it is necessary for the tragic aesthetic that there be a certain height to the descent. For Nietzsche, rejoicing in the sacrifice of the highest types is a key element in experiencing tragedy.
"...and whoever wants to be a creator in good and evil, must first be an annihilator and break values." Creation, according to Nietzsche presupposes the willingness to destroy. The order we impose upon the world is a constraint upon us when the time to overcome occurs, and at such times, the spirit of the Ubermensch is needed in order to decimate the linguistic constructs that we have come to depend upon. For original, creative activity to be allowed, there must be nothing available to plagiarize or react against. Nietzsche refers to this resignation in the face of the void as "Russian fatalism" which occurs when the individual no longer attempts to "...accept anything at all--to cease reacting altogether."
In the end, for Nietzsche, nobility of spirit is akin to a meniscus, relying on the tension created by contrasting nothingness with creation. It can tolerate very little unequal pressure; too much and it ruptures. And aesthetically pleasing life is to be sought in that in between area inaccessible to words or to action alone. Ironically, Nietzsche's severe philosophy seems to advocate a kind of moderation. For the truly heroic figure is valued for his ability to live a life in which he moderates the need for order with the desire for creative action. Standing between empowerment and dissolution, as he must, the hero, says Nietzsche, is as deserving of "songs of praise" as is any god.

8 of 8 people found the following review helpful.
Wonderful Self-Portrait
By Steiner
Nietzsche's literary addendum to his philosophical oeuvre is, at its root, a radically modern autobiography. Written weeks before his collapse into paralysis, these are the final reflections of cogency from this great thinker; the sections are indeed self-inflated and passionate, with titles like `Why I am So Wise,' and `Why I am So Clever,' etc. However, Nietzsche is finally dubious about his reputation and whether or not he will ever be truly understood. He insists that his name "will be associated with the memory of something tremendous," and indeed it would. His work sought to expose the power structures of old societies and to expose the moral systems of Christianity. Nietzsche's tone is eerily prophetic as he insists that "there will be wars the like of which no one has ever seen," his stylish prose rings of a bold yet hysterical urgency. However, at the foundation of Nietzsche's thought is one of the great and subtle tensions in philosophy, the idea that his negating and destroying are "conditions of saying Yes." This is the difficulty of Nietzsche, who is all too easily categorized as the "Will to Power" philosopher of the modern period. We are still catching up to his profound insight, and this self-analysis should be a window into his genius and original intentions.

13 of 15 people found the following review helpful.
If only all autobigraphies were like this...
By Hethur Suval
"Ecce Homo, on eof the supreme masterpieces of German prose, is perhaps the strangest 'autobiography' ever written"
"In late 1888, only four weeks before his final collapse into madness, Nietzsche (1844-1900) set out to trace his development as a tragic philosopher. He examines the heroes he has identified with, struggled against, and then overcome - Schopenhauer, Wagner, Christ - he predicts the cataclysmic impact of his forthcoming revaluation of all values, and he gives final, definitive expression to his main beliefs. Throughout he employs the range of exuberant but unsettling styles descibed in Michael Tanner's Introduction, 'the high spirits, the manic self-celebrations, the parodistic orgies', which blend with a far more elegiac voice in a way 'that is uniquely moving, especially when one knows that total and permanent breakdown was imminent.'"
Isn't this what we are looking for when we go to read an autbiography? Isn't this the spirit that those who choose to write their autobiographies are interested in? Nietzsche was definitley ahead of his time in this genre of prose...take a look at Martha Stewart and Oprah....

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